*The Future of Wallpaper* Christopher Jug George

His summer-brown smile haunts me. I sense him now, unlike before, he is closer to me. He is gone.

Tag: 8mm

October 2, 2012

Yeti Colliding with Angels/Red and Blue Rooftops (Novella Excerpt, 1998)

My ability to think, evaluate, grow were all degenerating: arboreal, amphibious, human, ghost. I see now, as I begin to recall what exactly happened, that life is so simple, so resolute in the functions that we have, where we place our arms and so on.

I can see the sunset through the front picture window in the reflection of the back window. The sky is purple, beauty looming above me, in reflections, in air, in sight. I’m holding back information because the moment I reveal anything I will be thought of as insane.  Even more frightening to me is the fact that if I start telling you what happened I will have to relive the experience.  There is a knife in these memories, they blindfold me and push me down stairs.

The red and blue rooftops are in black and white. I stand inside a picture from my past reacting to the flash.  The purple sky is gone; there is no beauty to distract me as my future runs viciously through a foot of mud.  I am an elephant crashing down into sleep.  In the darkness I can see the lights of airplanes coming and going, moving across the sky like crabs move across the sand.  I can hear the highway racing all around me, the city lights buzzing quietly in the grid.

December 28, 2011

An old friend came to visit me even though I didn’t let anyone in the door . . .

Photo by Christopher Jug George *St. Croix River* October 26, 2011

There’s pain in there somewhere, I realize, pain I thought I’d conquered. It poured out of me this past weekend and I started to wonder if  it was real. Had I been guessing when I told myself I was ok? On Christmas Day I was watching 8mm home movies  of people, of family, of strangers, of strange family, of Christmas, some of them I used to know, some I never met, one who disappeared from the world on that very day. They were so happy or pretending to be happy or sad, I couldn’t tell. I forgot what year it was on the street in front of my house and had no concept of time inside my house.  I was lost and overwhelmed and had to press stop. I went outside to feel the present. I found myself on a path cutting through the park that ended in the middle of the road where I was dodging cars and further still, along train tracks then sitting beneath the Summit Avenue bridge watching my dog bark at birds as the world darkened and while sitting there I went further into the woods, where I saw something I thought I’d lost or forgot or made up.  I saw a flash in the distance and even though I couldn’t see it clearly it was enough of a glimpse for me to know I’m not the great conqueror I thought I was . . .

Or maybe I’m still that boy from 1999 who wrote the same thing, in a 12 years ago way, in a novella:

I had to run but all of these people stepped in my path with indiscriminate looks on their faces, faces with no real connection to my current situation but rather just happening to move that foot, inch, or five feet in my direct line so that I was running through them and they were only concerned about tea, or how to get to the Nevesky bridge or what was said about them under someone’s breath, and every large person in the district gathered in one spot and pushed their pianos to that spot with them, and I scaled them swiftly as if I had the ability of the tiger that I saw within my dead Uncle, and next a thicket of thorny bushes that attached to my jacket only to get to a brick wall that I somehow managed to pass through, orange and black stripes flashing through my skin only to encounter every one in the Nevesky Prospect eating dinner in a straight line that adjusted to my path so that I stepped in people’s soup and on their meat and they acted as though they would be disappointed if I didn’t when finally I reached this point of isolation, these woods surrounded by birds . . .